Blogs
Sat Sep 6, 3:32 PM
Fri Sep 5, 6:08 PM
Fri Sep 5, 9:30 AM
Fri Sep 5, 8:00 AM
Fri Sep 5, 3:16 PM
Fri Sep 5, 9:00 AM
Fri Sep 5, 4:30 PM
Fri Sep 5, 3:13 PM
Recent Articles
Recent Articles by Julienne Gage
Luz Marinas talent shines at the Arsht.
A Miami Cuban-folk-fusion singer grows up.
And she peddles her own tunes online.
No related articles found
National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Westword
How William Orr's quest for better, cheaper gas became a crime.
By Alan Prendergast
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
The Renaissance, Miami Style
Published on May 29, 2008
It takes a nimble-fingered hand to master the complexities of the guitar, and it takes a local genius to handcraft a sound reflective of Miamis cultural rebirth. The University of Miami Gusman Concert Hall will reverberate with that kind of musical renaissance during Orchestra Miamis season finale at 8 p.m., when the talents of two well-respected musicians converge in one amazing new song.
Thrice-nominated Grammy composer and Miami native David Chesky has written a piece so layered in modern and classical complexity that only its intended artist, Angel Romero, could play it with such grace. During a show recapping the best of Orchestra Miamis tropi-classical fusion, the Spanish guitar maestro offers the North American premiere of Concerto for Guitar, a number that encompasses flamenco, jazz, and classical elements in a way that is both reminiscent of the guitars elder Iberian roots and its equally moody American reformation.
Sat., May 31, 2008