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City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Boris
Smile (Southern Lord)
Published on May 08, 2008
After two years of touring and recording with sunn0))), Ghost, and Merzbow, longtime Japanese psych-prog band Boris is back with a double album. Regarding its last, mind-melting sludge masterpiece, Pink, the band has no comment, instead offering eight formally bounded songs bristling off-kilter with gonzo effects and absurd pop girl/guy vocals. As released in Japan, the album was mixed "experimental," but for the U.S. it was mixed "rock," which, if anything, must mean more compressed.
Take "BUZZ-IN" for example: A shrieking baby gives way to fuzz bass and distortion boogie rock punctuated with skate-punk-anthem screams and big, ugly drums somehow hidden below strands of reverse reverb guitar and other psyched-out novelties. The single "Statement" is even more straightforward — a Blue Cheer verse/chorus/wail led in by cowbell count — which to Boris's Jesu-loving, Pink-won fans will be more alienating than the bleakest isolating metal doom it could have conjured. Smile brings back the inconstant, occasionally brilliant Boris weirdness.