What mainstream publishers don't want you to know about door-to-door magazine sales.
When these huntresses on are on the prowl, the prey very much wants to be caught.
How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.
Are Asian women getting their jawbones cut to look whiter?
It's difficult to believe the album It Takes a Nation of Millions to Hold Us Back was released two decades ago. Today the album is as 2008 as it was 1988, with its cutting-edge sonic overload of samples, sirens, and outer-planetary noises that would make producers like Timbaland shake their heads in awe.
Nevertheless, Shocklee continues his journey into the future of sound. These days he's often seen on the lecture circuit, schooling audio production students. And unlike those who shun laptop studios and digital plug-ins, Shocklee welcomes them. "I believe in evolution," he says. "The aspect of technology in modern-day life is inevitable, but there is always a human intervention in electronics. I don't want a drum machine to dictate the dance floor, but it's the person behind the drum machine that I look at."
Shocklee has recently embraced a sound that combines the traditions of analog and the limitless options of electronics: dubstep. "The one thing I love about dubstep is that it infuses all genres of music yet still carries that foundation of dub. Dubstep kind of reminds me of early hip-hop, when producers weren't afraid to experiment with different styles of music. Now hip-hop sounds the same regardless of who's on the beat," he explains. "That freedom of expression I found in hip-hop when we was growing up, I catch that same vibe in dubstep today. I think dubstep is the sound of the future."