2007 Music Year in Review

Ray Lamontagne, 'Til the Sun Turns Black: "I really liked Trouble a lot. When I got this one, I listened to it a bunch of times and I thought, Oh, okay: This is his masterpiece; he's a genius, and then it turns out it was received as a turning-inward." 

Bob Dylan, Blonde on Blonde: "This album had always seemed sort of jumpy to me, but this year, not at all. Now it seems very spontaneous, and what I used to think of as 'jumpy' is people listening to each other having fun and following Dylan's crazy lead. Some of it is just so funny — 'Leopard-Skin Pillbox Hat' makes me laugh every time."

---

San Francisco: David Harrington's foreign policy.

BY JENNIFER MAERZ

San Francisco's world-renowned Kronos Quartet has charted an impressive course around the globe, commissioning more than 600 works — and releasing more than 40 records — with composers from China, Russia, Vietnam, and Iraq since its inception more than 30 years ago.

Founding member David Harrington cites an unusual source of inspiration for working with composers from other countries: American foreign policy. Whenever the U.S. gets into a conflict or war, Harrington says, it always makes him want to find out about the other country's music, a way of connecting to and partnering with cultures that American politics tear apart.

"We are trying to be a witness to some of the things that are happening," he explains. "Every concert we play is an attempt to find balance in a world that's very unbalanced."

With tastes both esoteric and populist (The Lawrence Welk Show first inspired Harrington to pick up the violin), Kronos's leader offers a list of musicians who brought his continents a little closer this year:

Damon Albarn, Monkey: Journey to the West: "Damon made this fantastic [theater] piece using a Chinese legend. It's like an opera, but it has acrobatics and dance. I met Damon in July, and he's now writing a piece [for Kronos]. But that event that he and his team created was just beautiful. He's really inspiring."

Valentin Silvestrov, Bagatellen und Serenaden: "Combine John Cage's touch on the piano with Morton Feldman's touch on the piano with my granddaughter's touch on the piano and you'll get the touch of Valentin Silvestrov. He's just exquisitely beautiful. He's from the Ukraine."

Alim and Fargana Qasimov, Music of Central Asia Vol. 6: Spiritual Music of Azerbaijan: "Alim Qasimov is one of the great singers of the world — after Nusrat Fateh Ali Khan, there's Alim Qasimov. Fargana is his daughter. She's sung with him since she was a little child."

Joe Henry, Civilians: "I don't think enough people know about him. He's a great producer. He visualizes sound in a really complete way. His band is fantastic, and he's someone we'll be working with in the future."

Amiina, Kurr: "This is a group that started out as a string quartet. They're from Iceland. I think one of them is married to the keyboardist of Sigur Rós. I met them on tour when we were in Iceland and rehearsed with Sigur Rós. A lot of people probably wouldn't call Amiina a string quartet on recordings because there isn't a lot of violins and viola and cello; there's a lot of other instruments and sounds."

Valgeir Sigursson, Ekvilibrium: "Valgeir is an amazing producer. He produced a recording that we made with Kimmo Pohjonen. I would define Kimmo as the Jimi Hendrix of the accordion. We played with Kimmo at the Brooklyn Academy of Music, opening their 25th season, and he wrote this amazing piece we did with Kimmo on accordion."

Múm, Go Go Smear the Poison Ivy: "This is their new album that just came out. There are so many sounds and instruments, you feel like you're discovering music. I love that feeling, like, 'Wow, I've never heard that before; what an interesting way to combine things.'"

Ruby, Misheet Wara Ehsasi: "What I love about this album is not necessarily the songs but the sounds of the instruments — there's some strings in some of these songs that are really cool. Ruby is from Egypt. I don't really know much about her, but I just love the sound of her voice. You can think of the voice as another instrument when you don't know the language, and I almost think of that as an advantage."

M.I.A., Kala: "I love it when somebody does something and the bar just gets higher. That's what happened here. [British-Sri Lankan M.I.A. created Kala at different locations around the world after being denied a visa into the U.S. to record.] Our government is harassing a lot of people. It's getting more and more expensive for presenters to bring musicians in from Islamic countries. It's getting harder to get good information, and music is information."