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Recent Articles
Recent Articles by Scott Foundas
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Presidential candidates vie (and pander and plead) for one heart and mind in Swing Vote.
With Step Brothers, Ferrell, Reilly, McKay & Co. still don't wanna grow up. And thank God for that.
As Batman begins again, the fallen actor peers into the void.
Van Morrison ventures back into the slipstream.
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National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Riverfront Times
The nation's best known--and perhaps only--demonologist keeps up the
struggle against Satanic spirits.
By Aimee Levitt
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
Bob Dylan Isn’t “There”
Continued from page 1
Published on November 22, 2007
If Blanchett's Jude is the most recognizable Dylan — and the performance that even those who hate the film won't be able to stop talking about — then Gere's Billy the Kid is the most enigmatic, the one who seems at once the ghost of the musician's roots-music past and the spirit of his eternal present, the living phantom embarked on his self-proclaimed "never-ending tour." "You've got yesterday, today, and tomorrow all in the same room. There's no telling what can happen," he muses late in the film, at once paraphrasing Dylan (from a 1978 interview about his songwriting style) and succinctly summarizing the Moebius-strip structure of Haynes's film. And so the most lasting image of I'm Not There may well be its last, in which the Kid picks up Woody Guthrie's guitar and hops yet another boxcar, as a train pulls down the line and a soulful harmonica blows its ageless tune.